Richard Taterczynski

I build my art using materials that are regularly available to me, from salvaged wood and metal to glass, plastic, and images from magazines. My process is one of spontaneous evolution; I don’t begin with a preconceived plan, but rather let the materials guide the work. It often starts with a single captivating item—a worn piece of metal, a vintage advertisement, or a specific part—that ignites an idea. From there, I work organically until the piece is finished. My fascination with hot rods, motorcycles, black-and-white photos, and steampunk objects directly influences my aesthetic. Similar to the designs in a tattoo shop, I create a visually appealing, “cool” experience rather than conveying a specific political or emotional message. I enjoy finding the beauty in objects that look normal, whether it’s the sleek design of a spark plug or the retro feel of an old magazine ad. For me, the art is a personal visual stimulus, but my intention is for viewers to get lost in the intricate details and find the cool connections I’ve assembled for them.